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pushpamala phantom lady


Phantom Lady #14 by N. Pushpamala For Sale at www.kunzt.gallery listed on Printed Editions. We will process the personal data you have supplied in accordance with our privacy policy (available on request). Phantom Lady or Kismet, a photo- romance, Gallery Chemould, Mumbai And at the artist’s studio, Bangalore 1994 Excavations, sculpture/ installation, Gallery Chemould, Mumbai 1983 Pushpamala N, sculptures, Venkatappa Art Gallery, Bangalore. Humour, wit and subversion in Feminist Art. Delhi, British Council, The Anguished Heart, October-November 2003. Access more artwork lots and estimated & realized auction prices on MutualArt. Don’t miss the chance of meeting Pushpamala N as Phantom Lady - Live Sunday @ 11 am. I do different … Mar 1, 2017 - 'Performance photographer' Pushpamala N curates her own retrospective photo essay. Buy Phantom Lady #14 artwork by Pushpamala N. on Widewalls. Phantom Lady #14, 1996-1998. Not only was it a homage to silent film characters like Hunterwali, it also engaged the present by locating … The Harcourt Set (2009) In collaboration with Studio Harcourt Paris Commissioned by the Centre Pompidou, Paris 3 photographs of varying sizes. The Museum of Art & Photography’s (MAP) mission is to build, manage and sustain a new museum to exhibit, interpret and preserve a growing collection of art and cultural artefacts, motivated by a belief that museums should play a positive role in society. From the series Phantom Lady or Kismet, 1996-98. In her strongly feminist and subversive work and her collaborations with photographers, writers, theatre directors and film makers, the artist seeks to intervene in the dominant cultural and intellectual discourse. Share. Auction Closed. Pushpamala N trails off as I listen and ask her if there’s a ten-minute break she can take from herself, into herself. From her first photographic series, Phantom Lady or Kismet: A Photoromance (1996-1998), to her reflection on the colonial world with her “anthropological” shots from Native Women of South India: Manners and Customs (2000-2004), she constantly summons the Indian collective memory to denounce cultural stereotypes whose codes she modifies and critiques through a meticulous practice of staging … Pushpamala made her first series of what she calls ‘Photo Romances’ back in 1996 titled Phantom Lady or Kismet. 17 August 2012. Elements of theatrical impulses incorporated in her photography and sculptures. Pushpamala N returns with another edition of Phantom Lady, her photo-performance series shot noir-style. Phantom Lady or Kismet, a photo romance, Gallery Chemould, Mumbai, and at the artist's studio, Bangalore, India 1994 Excavations, Gallery Chemould, Mumbai, India ... Pushpamala N. and Alex Mathew, Venkatappa Art Gallery, Bangalore, and at CMC Gallery, New Delhi and … Photography. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. Recently, she was the Artistic Director of the Chennai Photo Biennale 2019. The online show Living the New Normal has been curated by Arshiya Mansoor Lokhandwala and is supported by MASH India, a digital platform … Native Women of South India: Manners and Customs (2004) A photo-performance … Satirical, witty, she has over the years created situations and recreated some iconic images popularised by Indian culture. Gelatin Silver Print. N. Pushpamala. National Gallery of Modern Art Mumbai. View artworks for sale by N., Pushpamala Pushpamala N. (24, Indian). Often finding herself on the opposite side of the lens than most of 7, 4th Main Road, Domlur II Stage, Bengaluru 560 071. What stood out amongst them was a photo collage by Bangalore-based artist Pushpamala N. titled ‘Return of the Phantom Lady of Sinful City.’ This photo-romance depicted the journey of Phantom Lady, an imaginary construct much like Gabbar Singh, rescuing a girl from the land mafia of Mumbai. Pushpamala’s work has been shown in important shows such as the Kochi Biennale 2014, Prospect 3 New Orleans, the First Johannesburg Biennale, Photo Espana Madrid, Ikono On Air Festival and at institutions including the Tate Modern and Saatchi Art Gallery London, Centre Pompidou Paris, Seattle Museum, Walker Art Centre and Art Institute of Chicago USA; Royal Ontario Museum Toronto, Museo Tamayo Mexico, Photomuseum Winterthur Switzerland, Caixaforum Barcelona, IVAM Museum Valencia, Spain, MAXXI Museum Rome, Mori Art Museum Tokyo, National Museum of Modern Art Korea, National Portrait Gallery Canberra and Devi Art Foundation and NGMA India. Project Cinema City Curated by Madhushree Dutta and Archana Hande 2012. Seek an Artwork by N. Pushpamala. Date & Time. Born: 1956 () Bengaluru, India. Created and conceived by Pushpamala N Photography: Clay Kelton Cast: Pushpamala N, Kattayayani Joag, Atul Dodiya, Tushar Joag, Arshiya Lokhandwala, George Jose, Ranchodbhai Tank The Return of the Phantom Lady forms a sequel to the Phantom Lady or Kismet ( 1996-98), the cult black and white thriller, shot in the style of film-noir style and exhibited as a photo-romance, in which the artist plays a dual … View Phantom lady no.14 another 2 works by Pushpamala N. on artnet. Monday, 25 April 2016. Available for sale from Kunzt Gallery, Pushpamala N., Phantom Lady #22, Gelatin Silver Print, 52 × 43 cm Gelatin Silver Print. View Phantom Lady #14 (1996 - 1998) By Pushpamala N.; silver gelatin print; 52 x 43 cm; Signed; . Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. N. Pushpamala. Known for her deceptively simple feminist works, most famously the “film noir style” Phantom Lady photo-performance, Pushpamala places herself at the centre of the social and political inquiry in the current show, by acting out multiple roles that have historical significance and contemporary relevance. A photo-romance Shot in Mumbai 21 colour photographs image size 20×30 inches. Phantom Lady #22, 1996-1998. Learn about the artist and see available works for sale. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. Pushpamala N began her career as a sculptor before turning to photo and video performances. However, when on a yacht (the Phantom Lady) taking them away from London, Alex's cover is blown by Sykes (ripping.

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